Bach Bibliography
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Year : 1996
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TypeListAuthor Title [further info]SeriesVolNoYearPagesStatus
[]
1. Queiroz, Flavio Jose Gomes deAprendendo contraponto atraves dos preludios corais. [Learning counterpoint through the chorale preludes] Mestrado, U. Federal da Bahia, 1996. diss. 1996
2. Schaap, Elizabeth MariaBarokartikulasie en -vingersetting vir die klavierbegeleier: 'n Toepassing in die fluitsonate in E-mol (BWV 1031) van J. S. Bach [Baroque articulation and fingering for the piano accompaniment: an application in the flute sonata in E minor (BWV 1031) by J.S. Bach] MMus thesis, Univ. of Pretoria, 1996. diss. 1996
3. Oechsle, SiegfriedBachs Arbeiten am strengen Satz: Studien zum Leipziger Vokalwerk. Habilitation, Musicology, Univ. of Kiel, 1996. (Kassel: Bärenreiter Verlag, in preparation, 400p.) diss. 1996
4. Brischwein, O.Die Johannes-Passion von Johann Sebastian Bach. Eine Untersuchung der freien Dichtung. Diplomarbeit Germanistik, Bamberg 1996. 104p. Published in 2001. diss. 1996 104p
5. Dequevauviller, VincentLe Magnificat de Jean-Sébastien Bach, étude de la version originale en mi bémol majeur. mémoire de maîtrise inédit, Université Paris IV / Sorbonne. 1996, 110p diss. 1996 110p
6. Chambers, MarkThe 'Mistuned' Cello: Precursors to J. S. Bach's Suite V in C minor for Unaccompanied Violoncello. DMus diss. The Florida State University, 1996. 115p diss. 1996 115p
7. Chung, Erin Hae-RangThe 'Well-Tempered Clavier' by J. S. Bach: A Performance Guide to Twelve Selected Preludes and Fugues Arranged in Order of Ascending Difficulty. DMA diss. University of Washington, 1996, 117p. DA9637917 diss. 1996 117p
8. Dequevauviller, VincentJean-Sébastien Bach, le musicien-arpenteur. Étude sur les structures numériques dans quelques œuvres de J. S. Bach. mémoire de DEA inédit, Université Paris IV / Sorbonne. 1996, 120p diss. 1996 120p
9. Gabrielse, Kenneth J.A Conductor's Analysis of 'Gloria' Settings from Five Masses and a Pedagogical Approach to Their Performance. DMA diss., New Orleans Baptist Theological Seminary. 1996. 123p. UMI No. DA9640215 diss. 1996 123p
10. Rosa, Patricia Bretas de Oliveira SaMax Reger: Variationen und Fuge über ein Thema von Johann S. Bach für Klavier op. 81--Ensaio interpretativo. Mestrado, Performance practice: U. Federal do Rio de Janeiro, 1996. 220 p. diss. 1996 220p
11. Kim, Munsook ChoExtemporization of J. S. Bach's Goldberg Variations BWV 988: The Varying of Reprise with Improvised Embellishments. DMA diss, Boston University, 1996. 232p. UMI No. DA9625330 diss. 1996 232p
12. Galloway, Robert J.From Continuo to Obbligato Cembalo: A Study of the Changing Role of the Harpsichord in J. S. Bach's Harpsichord Concertos and Solo Sonatas with Obbligato Cembalo. PhD Michigan State University, 1996. 340p - Dissertation Abstracts International, Volume: 57-05, Section: A, page: 1900. diss. 1996 340p
13. Goetz, Lois AnnThe returning adult student: Standard and andragogical methods used in the preparation and pedagogy of J. S. Bach's Prelude and Fugue I, BWV 846. MMus diss., Duquesne University, 1996. 66p. diss. 1996 66p
14. Roueche, Michelle ReneeAn Idiomatic Piano Reduction of the Orchestral Accompaniment to Bach's 'Magnificat'. DMA diss., Arizona State University, 1996. 69p diss. 1996 69p
15. Tanaka, YukoDouble-Type Gigues in the Baroque Period and the Rhythmic Interpretation of Bach's Gigue from 'Partita VI'. DMA doc., Stanford University, 1996. 69p. UMI No. DA9611932 diss. 1996 69p
16. Jackson, Bruce RogersThe G-D-G-C scordatura tuning for the double bass: A historical survey, theoretical rationale, pedagogical study, and compositional demonstration. DA diss., Ball State U., 1996. 711p. UMI No. DA9713630. [BWV 1011] diss. 1996 711p
17. Collister, Phillip AndrewThe Oboe and the Baroque Bass in Johann Sebastian Bach's Vocal Works. DMA diss., University of Maryland, College Park, 1996. 80p. UMI No. DA9637748 diss. 1996 80p
18. Hiramoto, Stephen AnthonySoloistic Writing for the Oboe in the Arias of Handel's Operas, with Three Recitals of Selected Works by Marcello, Strauss, Ravel, Bach, Handel, Saint-Aaens and Others. DMA diss. University of North Texas, 1996. 87p. diss. 1996 87p
19. Siemons, Jan H.Het Gebruik van Secundaire Registers in Clavecimbelmuziek voor 1760. [The Use of Secondary Stops in Harpsichord Music before 1760] MA diss. Vakgroep Muziekwetenschap, Universiteit Utrecht, 1996, 96p diss. 1996 96p
20. Husain-Naviatti, AsifMendelssohn's Lobgesang. The Genesis of the Symphony-Cantata and a Critical Edition of its Original Version. M.Litt. diss., University of Oxford, 1996. 2 vols. ii, 98; iii, 333 leaves. diss. 1996 ii, 98, iii, 333p
21. Kroetsch, Terence R.A Baroque Model in the Twentieth Century: The Preludes and Fugues, Opus 87 of Dmitri Shostakovich. MA diss., University of Western Ontario, 1996. v, 136p. diss. 1996 v, 136p
22. Dirst, Matthew CharlesBach's Well-Tempered Clavier in Musical Thought and Practice, 1750-1850. PhD diss., Stanford University, 1996, vii, 176p diss. 1996 vii, 176p
23. Greer, Mary JewettThe Sacred Duets and Terzets of Johann Sebastian Bach: A Study of Genre and Musical Text Interpretation. PhD diss. Harvard University, 1996. xv, 505 Bl. diss. 1996 xv, 505 Bl

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